All posts by Leanne

Gardener, artist, maker, lover of local and earth enthusiast.

Scrapper’s Delight

As you may know, I often offer curated scrap kits over at my Etsy shop, because after 15 years or so of sewing, I have accumulated a whole lotta scrap.  If I am unable to use them (or am just tired of looking at a particular fabric!) I sell them because I know there’s someone out there who will give them the love they deserve.  Also…it’s the responsible thing to do!  The EPA estimates that the average American trashes about 70-80 pounds of textiles a year.   (YIKES.)  That is an absurd amount of waste that can be easily prevented by wise purchasing, careful use, and reclaiming/recycling.

Needless to say, I am so excited when I see other scrap kits popping up on the web!  Recently, the non-profit FABSCRAP in New York City launched their online store featuring mixes of fabrics recovered from high end designers, which you can visit here.

Also, the London-based artist Flextiles, who specializes in indigo shibori and ecoprints is now offering kits in her shop, which you can see here.

Really, you can find a wide variety of scrap bundles available on Etsy with a quick search.

One of my goals for this year is to put together a little inspiration booklet of projects that would work well for the scraps of all sizes…we’ll see when that gets done!

But in the meantime, as I was doing a bit of searching, I stumbled upon this fantastic directory of Scrapstores, as they’re called here.  Is there one near you?  Click here to check it out!

Mermaid’s Tale Scrap Kit from Moth & Rust
Unicorn Parade Scrap Kit from Moth & Rust

Craft is Back…

[Featured photo: gorgeous entomology/taxidermy work by Jennifer Blundon]

I am so very excited to announce that after a two year hiatus, Craftacular will be coming back in September 2018!

Craftacular is a little show I started back in 2012; we did it once a year, usually in the fall.  There was no show in 2016 or 2017 due to so much going on those years (well, truthfully, 2017 was more about taking a break from being previously overwhelmed…)  However, this September, it’s happening again and I am thrilled.

There are still a lot of details to be decided, but the time, date, and location are set.

It’s a privilege that means so much to me, to be able to organize such an event; from the beginning, the show has been about craft and art: making, dreaming, connecting.  I am so grateful to each person who has participated in the show and hope to see lots of  familiar faces, and new ones, on September 29.

As more details fall into place, I’ll be posting on the Craftacular facebook page.  I’ll also post the vendor application to this site as soon as it’s available.  (If you think you might be interested in being a vendor, let me know and I’ll email it to you directly as soon as I can!)

Breton / French Sailor Top! (Free Sewing Pattern.)

{This pattern was originally published July 2016 on my now defunct blog, Prairiesque.}

I’ve been wanting to make my own striped blouse/Breton top/French sailor shirt for a long time.   I had made the pattern, but it was surprisingly difficult to find just the right fabric.  I finally found a great fabric at Needle Nook Fabrics here in Wichita.  (One of my favorite shops, by the way.  Check them out!!)

sailor top fabric

This is my original pattern, which I’m offering for free–please use as you wish!   (If you plan to sell a finished product based on the pattern, it would be much appreciated if you would mention Moth & Rust as the source of your pattern. Thank you!)

This particular pattern only covers a small range of sizes; however, it is a fairly basic two-piece pattern, which can be easily adjusted at the sides and in the middle or hem.  Also, it may fit differently depending on how stretchy your knit fabric is.   The best thing to do is experiment with some comparable but inexpensive fabric before making the final piece!  Instructions are as follows:

  1.  Print all pages (in the gallery below) and piece together with tape, using the picture below and alignment bars as a guide.
  2. The front and back of the bodice are the same, except for the neckline.  Place on fold to cut.  The sleeve is also placed on the fold when cutting.
  3.  With right sides together, stitch at shoulders.  You can use a 1/2″ or 5/8″ seam allowance.  I would also suggest stitching some non-stretch lace or ribbon along the shoulder seems to keep them from stretching.
  4. Pin armhole side of sleeve to bodice armhole, right sides together, and stitch.   Make sure your stripes align, at least close to the armpit/bottom of the armhole.
  5. With right sides together, pin garment so that sleeve edges and side edges are together (again, aligning stripes) and stitch up sides.  Be especially careful when matching up the stripes on the bodice!!  I learned the hard way that stripes may be together, but if you don’t match the corresponding stripes, you will end up essentially with a spiral going around the body, which makes getting a straight hem impossible.
  6. Hem arm holes, bottom, and neckline. You may also want to use ribbon or a running stitch in your neckline to prevent stretching.

sailortop5

sailortop3

The chart here shows how the sections will print and how they are pieced together:breton pattern layout

To print the pattern pieces, click on each thumbnail below and print directly from that page, or save to your computer.

 

Zine Love

God willing, 2018 will be the year of more ART.

Often times, I am torn between my desire to create and my desire to sit on my backside and stare at books (…or the internet…a lot of times, the internet, if I’m being honest…)

Anyway.  I mean to work on that.  I want to paint and just make more cool stuff.  If you know me, you know I have an obsession with zines.  I’ve only made a couple myself.  But there is something so indescribably attractive to me about these little books.  Maybe it’s all the possibility for freedom and expression in these often minuscule volumes.  Who knows.

A fabulous box of books…

As I’m scanning online sources (ironic, eh?!) for inspiration, I’m coming across some interesting-looking zines and other handmade books.  What about you?  Have you ever created one, or would you like to?  Do you have a favorite zine?

Filmage: A 35mm Photo Zine
Double zine pack with extras
Sketchbook by Molly Egan
Matchbox zine by Caelli Jo Brooker
A map of leaves
Zine Mermaids by Nina Schindlinger
Sketchbook by Molly Egan
How to Knit
Poetry zine

Is #moreart on your list of goals for 2018?  I’d love to see what you’ve been working on!

My Foray into Natural Dyeing

After owning and ogling the book Wild Color: The Complete Guide to Making and Using Natural Dyes by Jenny Dean for several years now–which, by the way, I highly recommend–I have finally decided to begin my own experiments.

I must tell you that I am in no way (for the time being) concerned about precision in my dyeing adventures; naturally, you MUST follow the safety rules!!  Some things can be toxic, and you should know what those are and how to deal with them.  However, when it comes to the rest of it, I’m a loose canon.  Everything I’ve done so far as concerns times, quantities, etc., has been guess work.  Dean advises the reader to take accurate notes, which is certainly something to do if you want to reproduce a certain result.  However, I’m not too concerned with that yet–my main objective has been to see if I can even get any color out of the process!

As a general rule, your dyestuff, when dry, should be equal in weight to the fibers you are dyeing.  In both cases, I used considerably less dyestuff than fiber.  This was partially intentional to see just how much you would have to have to get any color, and partially because I didn’t have much available to me.

Usually, you’ll want to use a mordant, which is something that helps the dye to sort of stick.  Common mordants are alum, copper, and iron.  (Again, please be sure to read Dean’s book, or another reliable resource, before setting out on your own!  This is really more of a brief account of my own experiences rather than a how-to.) 

So, I used some water (enough to soak all my pieces and give them some room to be stirred around), approximately two teaspoons of alum (the same used for pickling), and then roughly a handful (?!?) of dyestuff.  I threw it in all together at once, let it almost simmer outside (good ventilation is always recommended) for about 1 to 1.5 hours, then let it sit for an hour or so….I have rinsed these pieces fabrics, but have not properly laundered them with detergent, so I’m not sure if that will have much effect or not.

For my first trial, I used rose of sharon flowers…   

It was not what I expected, but the color turned out extremely lovely nonetheless…a very soft  celadon or mint.​ 

 

For the second, I used marigold flowers. 

The result was a very cheerful, bright yellow. 

A few of my observations: I really do need a lot more dyestuff, I think, if I want more color.  I already knew I wasn’t using enough, but next time, I will try to not skimp.  Also, the protein fibers like wool and silk seem to take on more color than the cellulose fibers, or the cotton and linen–but again, not a surprise, since alum is recommended as a mordant for protein fibers.

I’m looking forward to doing some more natural dyeing!

Gypsy Belle Jacket

This is just a little project/prototype I made for myself, and I wanted to share it…it was somewhat inspired by the lovely jacket Belle (Emma Watson) wears in the live action version of Beauty and the Beast.  (#nerdalert)

This was my first version of the jacket from the pattern I came up with.  There are quite a few things I will change when I make it in the future, most notably the style of peplum, but this particular garment is still special to me for a couple reasons.

As you can see, it has a super patchy, ragamuffin vibe, which, incidentally, is totally fine with me.  The yellow linen outside and the blue plaid lining are both repurposed fabrics taken from old garments.  The darker beige/green lustrous fabric you see in places on the outside are silk remnants.

I’m really pleased with the texture of the fabric and I’m glad I took the time to do some hand stitching around the edges…I always forget how much I love hand sewing like this.  I really love the buttons as well.  This was a fun exercise and inspired me to focus even more on repurposing/upcycling of garments and fabric in the future…

Interview with Jenny of Wichita Woolery

I’m excited today to bring you a fantastic interview with Jenny Brown, the artist behind Wichita Woolery.  I’ve been drooling over her gorgeous creations on her facebook page for some time, and she recently opened an Etsy shop where she offers hand dyed roving and handspun yarn for sale.  Check out the interview, then visit Jenny’s shop–you’ll be glad you did! 

M&R: How long have you been spinning and dyeing?
Jenny:  I started down the rabbit hole of spinning about five years ago after graduating with my Master’s degree.  I didn’t have a job lined up after graduation, and to be honest, wasn’t sure I wanted something in the industry that I just obtained my degree in.  I was already halfway through my program when I realized this, but toughed it out and just earned my degree anyway.  Knitting was always my comfort and self-care while in grad school, and I think it was then that I realized my true passion was the fiber arts.

I don’t recall how, but I came across a spinning class at City Arts. I really wanted to take it, but it was over $100 for the class, which was a lot of money for me to spend at the time. It just felt too self-indulgent to spend that kind of money especially when it could have been used for something else. My husband encouraged me to sign up for it though, and I’m SO glad he did! The class wasn’t offered for another few years because the instructor’s daughter had a baby, and she left Wichita to help take care of her new grandchild. It was during my classes at City Arts, where I was first introduced to dyeing. We had dyed fiber with Kool-Aid, and I loved the idea of being able to create any color yarn I wanted. Eventually, I started to dabble with dyeing at home for myself, and then more seriously dyeing for others in the last year and a half. 

What drew you to working with fiber?I think what continues to draw me to fiber and the needle arts in general, is the freedom to create whatever you want. I’m a Type A personality and like structure in nearly every other aspect of my life, but fiber and the needle arts has the capacity for me to be both structured and flexible in creating. It’s the perfect combination!

 

How did you learn your skills?
Growing up, there wasn’t anyone in my family who did anything related to fiber or the needle arts. One of my childhood best friends cross-stitched (she learned from her mother), and I remember thinking that it was so cool. I just loved how you could get a finished piece from the mosaic of multi-colored X’s. I begged her to teach me when I was in middle school, and it was my gateway drug into the needle arts. At 18, I taught myself to knit, which branched off into wanting to learn to spin, and spinning into dyeing, and the journey continues. 

What is the most satisfying part of working with wool (or other fibers)?
For me, the most satisfying thing of working with fiber is creating something from the source. Other than owning my own sheep and processing the fiber (maybe I will some day), I’m creating something from a raw state. I think in spinning there are two groups: process spinners and project spinners. I myself identify as a process spinner, meaning that I don’t spin my yarn with a project in mind, I just enjoy the process of creating yarn. It’s so satisfying starting with a blank slate,creating a color scheme for my roving, and making yarn, which the yarn can then be taken and made into a finished handmade item. Ever since I started spinning, it’s all I want to do in my free time when I’m not dyeing.

What are some of its challenges?
One of the biggest challenges of dyeing I’ve come to discover, is the learning curve. A lot of successful dyers out there aren’t really forthcoming with sharing their skillset with others, which saddens me. We all have something we could contribute to this industry, and rather than having a collective of like-minded individuals sharing passions, dyers hoard their skill set for their sole personal gain. It’s something I don’t really quite understand. Nevertheless, just figuring out my own working methods of dyeing from watching You Tube and reading the few books on dyeing that are out there has been a process.  One of the other challenges that I’ve had now that my Etsy store is open, is the same problem that every other shop on Etsy has… How does my shop get exposure? I’m at the point where I’d like to branch out a little bit and begin making fiber festival rounds to gain more exposure. Stay tuned on that…

Where do you find inspiration for your color combinations?
My inspiration comes from a variety of sources. I love looking at nature photos, which really is the best source if I feel blocked. My husband also helps me come up with colorways. He’s an artist himself, and has lots of color theory experience.  One of his favorite things to do is create pallets, and we’ll bounce ideas of each other. I also love looking at other artist’s work, including other fiber artists and indie dyers.

How do you hope your work will impact or influence others?
One of my hopes is that I can teach and inspire the next generation of fiber artists to continue on with this tradition that dates back thousands of years. I love sharing my knowledge and teaching others who are interested in the fiber arts, especially younger kids because I didn’t have anyone at that age who could have taught me. If I had, who knows where I would be now had I discovered my passion that early on.

Are you involved in any other types of craft?
Although 99.9% of my craft time is consumed by the fiber arts, I’m also interested in learning more about the crafty side of homesteading. Canning, raising chickens, making soap, candles, artisan breads and cheeses all sound like a lot of fun. Maybe one day I learn the skills for all of that, but for now I’m focused on what fulfills me the most, which is literally anything fiber. I feel like I still have yet to discover the end of the fiber rabbit hole.

____

Thanks again to Jenny for sharing her time and insights with me and all of you.  It’s always a joy to connect with other creatives and learn from them!

Book Review: The Lost Art of Dress

 Recently, I finished reading The Lost Art of Dress: The Women Who Once Made America Stylish by Linda Przybyszewski; I first learned about the book on Thread Cult (a favorite podcast about sewing and fashion.)  Being a fan of both fashion and history, the topic itself was tempting enough.  I found, though, that beyond simply providing a historical account of fashion, this book offers up a lot of food for thought on the way society has changed over time.

The book begins by introducing Mary Brooks Picken, one of the first “Dress Doctors,” or women who were designers, teachers, and writers, educating others on how to dress well, and even getting the government involved via the Bureau of Home Economics.

The Dress Doctors looked to the Five Principles of Art–harmony rhythm, balance, proportion, and emphasis–to advise women in their dress.  (Part of the reason vintage fashions are still so appealing is because they adhere to these very effective principles.)  The book discusses the “duties” and occasions of dress, offers lots of interesting facts and anecdotes, and finally looks at the decline of the Dress Doctors  (hint: it had a lot to do with the 1960s.)

What I enjoyed most about this book, though, was that it provided a bit of a window into the mindset of women of the past–a time when being sophisticated (read: over 30) was actually something young girls looked forward to, a time when people didn’t have the compulsion to tell every stranger they met about every detail of their life, a time when certain colors or articles of dress had a significant meaning.

You may not care to follow all the Dress Doctors’ rules for dress, but you may be inspired to take a cue from their outlook on living.  To them, fashion wasn’t just superficial, but ultimately held a connection to deeper things.  I would highly recommend this book to anyone interested in history, art, fashion, or sociology.

Interview with Laura from The Corner of Knit and Tea

Laura is an Overland Park artisan who creates fabulous things from fiber and has them available for purchase at her online shop, The Corner of Knit & Tea.  She spins, knits, and–yes–loves tea!  (She’ll even add some of her favorite teas to your Etsy order!)  When her vibrant, oh-so-squishy-looking yarns first caught my eye, I knew I had to learn more about them, not to mention the maker behind them.  Laura has been gracious enough to take the time to share her creative story with me, and I am now honored to share it here with you…  

M&R: How long have you been spinning yarn?
Laura:  My grandmother, who was a Renaissance artist of sorts (painter, sculptor, illustrator, knitter and weaver that I know of), taught me how to knit when I was 6 or 7 years old. I loved going to visit her, getting to pick something out from her basement full of craft supplies, and sitting next to her on the couch as the cast the yarn on the needles for me to start another scarf.

While I continued to knit on and off throughout the years, I really got back into the craft in my 20’s when I was living in Los Angeles. I came across a lovely yarn and fiber store on my way home from work one night, and I started going to their informal knit nights, taking classes and learning new techniques. I had sort of felt stymied in learning more about the craft once my grandmother had passed away, but now I could keep learning.

The advent of Ravelry was really a turning point for me. All of a sudden there was a site where I could communicate with and learn from members of the fiber community all over the world. It was a kind Raveler who sent me my first braid of fiber and recommended that I purchase the book Respect the Spindle by Abby Franquemont to learn how to spin. This was the Spring of 2010.

​How did you learn to spin?
All through the Spring and Summer of 2010 I practiced on the spindle, learning to spin thinner and thinner and more consistently. At this point I was living in the Kansas City Metro Area and very close to the Harveyville Project, which hosts an event called Yarn School a couple of times a year. The owner, Nikol Lohr, is also an authorized dealer of spinning wheels. I was able to rent a wheel from her in the Fall of 2010 and teach myself how to spin on it. I purchased my first wheel, an Ashford Joy, for Christmas in 2010. I took a few spinning classes at a local yarn store (Yarn Barn in Lawrence), and then went back to attend Yarn School in the spring of 2012 and I was on my way!

How did you become interested in spinning?
I don’t know exactly what it was that drew me to spinning originally, other than the fact that it was a something new to learn and I’m always eager to learn more about the craft. Once I started however, I loved it.  

​Do you have a favorite fiber?
I really love choosing my materials. I tend to gravitate away from natural, unprocessed fibers. While I enjoy knowing where my fiber comes from I prefer to purchase fiber that has already been cleaned, combed/processed and dyed. I am always drawn to bright, intense colors – jewel tones are my favorite – and I really like variegated braids full of lots of colors. I find that these braids are the most interesting when spun up. A lot of people strive to make their spinning “as good as” commercial yarn; that is thin, even and looking quite uniform. I actually prefer my yarn to look handspun. That is, I want it to be a one of a kind item that looks handcrafted. I love a variety of colors in my fiber because those braids lend themselves to a barberpoled look. I tend to choose fiber that is well prepared, and I mostly stick to the softer fibers because I find that most people want fiber that is next to the skin soft for their projects. I do find some uses for slightly more rustic, sturdy fibers. For instance, while my favorite fibers to spin are Falkland, Polwarth and Targhee for their softness and bounce, I really think Corriedale makes an excellent yarn for sturdy socks.  

​What do you find most satisfying about your craft?
I also really love the process of spinning. For starters, no matter what the fiber looks like before I start spinning, I really can’t predict exactly how it will look spun up. That’s part of the fun – each skein is sort of an unexpected surprise. But in terms of the actual spinning of the fiber, I find the process very meditative and calming. There are enough things to think about to keep it from becoming boring – how fast should I treadle, how quickly should I draft the fiber through my fingers, how quickly do I want one color to flow into the next. But once I have made some of those decisions there’s a rhythm to it that I really enjoy. 

​What are some of the challenges?
The only challenges of my craft that I have found are that there is never enough time to accomplish everything I want to do and that, thus far, I haven’t found a way to make my creative life a career. These are both highly intertwined. Spinning yarn is a time intensive process. Each braid that I list in my shop takes between 5 and 8 hours to create. I try to price my handspun skeins of yarn competitively, but by the time I account for the cost of materials, what I earn for my time wouldn’t be a living wage. While I could certainly learn a more productive way to spin, or I could raise the prices of my yarn, I don’t know that there would be enough hours in the day or enough demand at higher prices to really allow me to sell handspun yarn for a living. So for now, I continue to have a day job, and pursue all my creative endeavors “after hours.” This means that even though I spend several hours of my free time each day knitting and spinning, there’s never enough time to make as much as I would like!

Where do you find inspiration for creativity?
I think I’m primarily inspired by visuals. What I mean is that I’m inspired by other people’s projects, by photographs that people translate into dyeing fiber or yarn. Again I really credit Ravelry and other social media (like Instagram) for so much inspiration because it allows creators all over the world to share what they are doing, particularly with visual images.

How do you hope your work will influence or impact others?
I hope that my work inspires people to learn the crafts that I enjoy (knitting and spinning), or to find ways to creatively express themselves, whatever form that might take. I also hope that I can give someone the experience of knitting with my handspun to create their own one of a kind item.

Be sure to visit Laura’s Etsy shop, The Corner of Knit & Tea, and check out her scrumptious yarn.  Laura’s blog and video podcast can be found at thecornerofknitandtea.com.  And of course, you can find her on Ravelry! 

The White Peacock: Interview with Tayla Mace, Owner & Artist

 

Today I am trilled to bring you an interview with Tayla Mace, artist, entrepreneur, and owner of The White Peacock Tea and Coffee Company in the lovely town of Lindsborg, KS.  I’ve been a fan of Tayla’s work for years and am truly excited about her latest venture.  Read more here, then visit for yourself!

M&R: Can you tell us a bit about your background and previous work?
Tayla:  Oh goodness, I have quite the varied background!  But when I think about it, I would say it has all focused around creative work and customer service.  I went to school for Web Design with the Art Institutes and fell in love with online branding and design.  My “big girl jobs” were mainly in retail management and marketing before I took the plunge and started my own business, WildFire Studio – where I made jewelry, in 2012.  It wasn’t until 2016 that I decided it was time to move on.

What made you decide to purchase a coffee shop? 
In May of 2016, I could feel WildFire winding down and wanted to move on to something else.  I knew I didn’t want the typical 9-5 but had no idea what direction I was headed.  So, I was lucky enough to pick up a part-time position at one of my favorite stops in Lindsborg, The White Peacock.  I had been using The Peacock as a mobile office for close to a year already so it was an easy decision to try and Fill the Gaps between projects there.  I became friends with the owner and found out the shop was for sale.  The rest was history!  I purchased the Peacock that July.

I know you have handmade items for sale; what kind of things do you currently carry?
We do have some handmade items!  I carry the penny jewelry I made during my WildFire days at the shop, along with some felt succulents that I’ve been playing around with.  We also carry embroidered tea towels, hand-dyed scarves, illustrated coffee mugs, and more!  The shop has a quirky, creative vibe, so we have a quirky and creative selection of handmade goods. 🙂  Each month, we also have a featured artist who often has their art work for sale.  From February 10th-March 9th, we’ll have our community sourced Heart Art up!  20+ artists have contributed so far.

What’s are your favorite drink and food offerings?
My personal favorite drink at the moment is our “Dark Chocolate Covered Strawberry Mocha.”  It is amazing!  We’re always coming up with new drink recipes though, and I’m always picking out new favorites.  We also offer breakfast and lunch, but I’ve always been partial to our cinnamon rolls that are made right down the street at The Courtyard Bakery.

What seems to be most popular with customers?
Hands down, the Black Forest Mocha.  Once you have it, you’ll never go back. ​

​What is the most satisfying part of running the shop?
I’m probably what you would call a serial entrepreneur.  I get excited about the big picture when it comes to organizing, managing, and promoting a business.  But if I were to pick one thing, it’s that The White Peacock attracts such an interesting and creative crowd.  I get to share my projects with my customers and they share theirs with me.  It’s this constant flow of creative energy in here that I love the most.

 What do you find the most challenging?
MONEY!  Oh, my…  I think that is a pretty typical answer, but managing our budget is the most challenging for me.  With WildFire, I was a one person show, meaning that if we were short one month, there was only myself to blame and myself to face the consequences.  Now I have employees and customers and we’ve got to stay stocked all the time…  I’m feeling much more comfortable compared to when I purchased the business in July, but I think it will always be the most challenging aspect.

I hope that The White Peacock provides a space where you can come in, get yourself a delicious treat (that you can feel good purchasing – we’re all fair trade and organic and we use local Hildebrand milk!), and become inspired to do whatever it is you love to do.  I try to keep the atmosphere bright and ever-changing and the community involved with small projects happening all the time.

How does your local community influence you?
I may be a little biased, but Lindsborg is the best small town out there.  The community is full of people who really care about their town and the people in it.  Each week, I get together with a group of business owners and residents to discuss what’s happening, how we can promote each other, and how we can provide a better experience to our visitors.  Everyone is so inclusive and helpful.

The White Peacock is located at 124 S Main Street in Lindsborg, KS.  You can follow them on Instagram and Facebook, and visit their website at whitepeacockcoffee.com  

Interview with Cynthia Sutcliffe of Cultivated Dreams & Designs

​I think there’s something truly enchanting about semi-precious jewels skillfully set against silver.  Cynthia Sutcliffe of Cultivated Dreams & Designs creates particularly charming pieces in her Halstead, KS, studio, and she has graciously agreed to do an interview with me!  Take a moment to learn a bit about this talented Kansan and her work…

 M&R: How long have you been creating jewelry?
Cynthia:  Nearly 7 years total. Silversmithing has been only the last couple of years.

 How did you become interested in this art? 
Creating has always been a necessity for me. I don’t do well if my life is filled with dull, repetitive work. There has to be some kind of outlet to break up the mundane, and this has been it for me.

Were you involved in any previous crafts?  Are you now involved in other crafts?
I began illustrating as a kid. Spent about a decade working in that outlet, going through high school and some college to pursue a career in some form of illustrative design. I quickly learned that in a professional sense, I could not be content going that route, at least not in rural Kansas. You hit a wall, and no one seems to understand that someone working in that field has to survive. I loved illustrating in many forms, but did not want to continue  without some form of progress. 

​What are some of the processes involved creating your pieces?
When I started out, I only used wire that I could hammer into simple forms to frame the stones that I wanted as a focal point. Now that I have started smithing, I am attempting to learn something new with every piece. Each piece has the same process of deciding on a stone, designing a setting, and soldering each detail. There sometimes are a lot of steps needed to polish a piece when it is done, including sanding out any fire stain or scratches, to deciding on the finish. I just make sure to push myself to do better in some way, even if it is the most minute detail at times.

  

How did you learn to do this?
I just picked up some beads one day, and it just kind of clicked for me… fast forward about 7 years, with a TON of trial and error… and you just kind of learn things. My lifestyle doesn’t really allow me to spend extra time going to school or paying for resources to learn from, so most every process has been self taught, along with the occasional knowledge of other smiths. 

​What is the most satisfying part of creating jewelry? 
Seeing someone wear a piece of mine at a show, in photos, or making someone feel good when I hand them their custom jewelry. Some folks will try to challenge you and say that you are perpetuating a materialistic society by selling merchandise like this… but I know that is wrong when I am able to make something that is meaningful for a client. There is a look that people get that can’t be recreated by mass produced items.

What are some of its challenges? 
I would say that is when I have to tell someone “No” on crafting something.

Where do you find inspiration? 
So many things in life that you see on a daily basis… it makes it difficult to sort through all your half-thought-out ideas without really sitting down to make a plan. It could be something another artist has done, and thinking, “wow, I gotta try that!” Or simple things, like music, old rpg’s, nature, or, my favorite, “happy accidents” when I am playing around with stones on my bench and something just “happens.”

How do you hope your work will impact others? 
I just want more people to understand that despite what life throws at you, how many rules you have to obey in your daily life, there is some room to say, “I will do what I want and I will succeed.” I am no major success when you look at the financial side of things. But, I am genuinely happy to be able to share what I do with the world. The rest will follow.

Why Bloomers?

It’s no secret that I like bloomers; I love making them, wearing them, and seeing others discover (or rediscover!) the joy of a comfortable pair of pantaloons.

An airy pair of cotton bloomers are cool and breezy in the summer when you’re in the garden, painting on the patio, or just working around the house.  But they’re also warm in the winter when paired with a favorite skirt, providing extra insulation from any icy blasts that might whip up your frock.

Coquette Bloomers by Moth and Rust Handmade
The latest addition to Moth & Rust, the Coquette Bloomers

The gathers and ruffles, whether profuse or oh-so-subtle, add a bit of whimsical romance to your everyday routine.

Of course they can be made from anything, but my go-to fabric is a 100% cotton muslin in an unbleached, undyed color.  It’s light, softens with each wash, and goes well with most other colors, particularly my favorite neutrals.  I would be glad to make you a pair, just to your size!

Preferred by prairie girls, bohemian babes, steampunks, ladies of burlesque and even bellydancers, they can also be a sort of artistic expression–a way to embrace uniqueness.  What’s not to love?!

Have you bloomers yet?  What do you love about them?